Skip to content
Fangrove
Lahore--:--:--

Attentionis a place.

Fangrove owns 35 large-format sites across 16 areas of Lahore — and the print floor that dresses them. Out-of-home, broadcast and press, since 2008.

Selected clients

CarrefourPackages MallMetro Cash & CarryIGI LifeACCAAl FatahCar FirstCondis by SpainZero Carbon SolarAsghar Ali Perfumes
02The estate

We publishevery site.

Dimensions, illumination, direction of approach and modelled daily impressions — for every structure, before you enquire. Opacity is how this industry has always made its margin. We would rather compete on the sites.

Sites in Lahore
35
Areas covered
16
Daily audience
15M
Digital screens
3
  • Gulberg8
  • Model Town8
  • Canal Road4
  • Gulberg III2
  • Mall Road2
  • DHA Phase 81
  • Cantt1

Largest face in the estate: 90 × 30 ft at DHA Phase 8.

Browse the network

Our media network

03Selected work

Campaigns thathad to hold upin traffic.

Outdoor is judged at speed, in bad light, by someone who is not looking for it. Everything below was built for that — and photographed on the face that carried it.

Selected work

Packages Shopping Festival creative on a large-format board at Johar Town, opposite the Expo Centre, Lahore
Retail · Seasonal
Packages Mall2020

Packages Shopping Festival

  • Outdoor
  • DOOH
Carrefour express-delivery creative running on a Fangrove billboard in Lahore
Retail · Out-of-Home
Carrefour2021

Carrefour OOH Campaign

  • Outdoor
04How it works

Brief to proof,in six steps.

Every step ends in something you can hold or check. If a stage produces nothing verifiable, it is not a stage — it is a delay.

Our process

  1. 01

    Brief & audit

    We start by asking what the last campaign cost and what it returned. Most media problems are inherited, and the fastest saving usually comes from stopping something rather than starting something.

    Written audit of current spend and gaps

  2. 02

    Plan

    Corridors, formats, belts and cycles, costed line by line. You see the impression model and the assumptions behind it, not a total at the bottom of a page.

    Costed plan with impression model

  3. 03

    Artwork & proof

    Files are checked before plates or faces are committed. Colour is proofed against the illumination the piece will live under — front-lit and back-lit are not the same job.

    Signed-off proof on production stock

  4. 04

    Production

    Printed on our own floor, on the substrate the site's wind loading and lighting call for. Nothing is brokered out, so nothing waits in someone else's queue.

    Faces produced, batched by route

  5. 05

    Mount & go live

    Own crews, own hoists, overnight windows. Digital creative goes live within four working hours of approval. Broadcast is booked and cleared before the first air date.

    Photographic proof of every mount

  6. 06

    Verify

    Play logs for digital, tear sheets for press, transmission reconciliation for broadcast, and a dated photograph for every static face. If it did not run, you do not pay for it.

    Monthly verification pack

Ink rollers on the press at the Fangrove print floor
05The print floor

We printwhat we hang.

Offset, digital and large-format on one floor, sharing a schedule with the mounting crews. A face that comes off the printer at six is on the board by two.

It also means colour is proofed against the illumination the piece will actually live under. A red approved on a backlit monitor and hung on a front-lit face is the most expensive mistake in this industry.

Max roll width
16 ft
Print to mount
Same night
Offset sheet
28 × 40 in
Ink UV stability
24 months
06Get in touch

Tell us thecorridor. We'llquote it today.

Contact Fangrove Media

Studio

10D Commercial
Pak Arab Society
Lahore
Pakistan

Mon – Sat, 09:00 – 18:00 PKT